Three designs have been rejected on taste, with no agreed target to measure them against — so this session builds the target first. Nothing here asks whether you like something. Every question below is a named elicitation instrument, chosen because it produces something a designer can actually build to.
Step 1 · The pre-mortem — two minutes, before anything else
Instrument: the pre-mortem (Gary Klein, Harvard Business Review, 2007). Asking "any concerns?" gets a shrug, because objecting to a plan people are invested in has a social cost. Declaring the thing already dead removes that cost. The finding underneath it — imagining an outcome has happened improves people's ability to name its causes by about 30% — is Mitchell, Russo & Pennington (1989). It runs first on purpose: once criteria have been discussed, everyone is anchored to them.
Write yours before reading the other's — independent first, then compare, is part of the method.
Step 2 · The five criteria — edit them until they are yours
Instrument: criteria ratification with client rewriting. A criterion you reworded is one you actually hold; one you merely nodded at is one I will misread later. Edit freely — the original is always one click away.
Recognition
Their specific one — hose water, Jarts, the streetlight curfew — not a generic "retro theme" any Etsy competitor could wear.
Voice
The audits agree the writing is the brand's best asset. Nothing cutesy, bouncy, or decorative competes with it.
Worth the card
Trustworthy enough to hand a card number to, and visibly a cut above the copycat field selling the same joke for $7.
The group chat test
"Which kid were you?" is built to be sent. If nothing on the page would get forwarded, reach isn't going to fix itself.
Identity — the one call I can't make for the business
The current site's equity is the navy and the roundel. Every version so far half-kept them, and half-measures are what died. Either the new design carries exactly one thread on purpose — or it starts from zero.
Step 3 · Spend ten points — what actually matters most
Instrument: cumulative voting, also called the $100 test (Leffingwell & Widrig, Managing Software Requirements, 2003). Five criteria all marked important is the same as none of them being important. A fixed budget forces the ranking a designer needs when two criteria pull against each other — and they will.
Step 4 · Pin the feel — six axes
Instrument: the semantic differential (Osgood, Suci & Tannenbaum, The Measurement of Meaning, 1957 — seven points, as in the original); NN/g on its research use. "Make it feel more premium" is unbuildable; a mark at 6 on a Premium–Everyday axis is a spec. Both marks land on the same line, so a two-step gap becomes a conversation now instead of a rejected comp later. Mark where the new site should sit. The fuller form of this instrument also rates today's site on each axis, giving a from→to vector — that doubles the marks, so it is deliberately left out of a first live session.
Step 5 · The words — five it must earn, five it must never
Instrument: desirability testing with product-reaction words (Benedek & Miner, Microsoft, 2002); NN/g's walkthrough. People react fluently but generate language badly under pressure, which is exactly where "I don't like it" comes from — a fixed set removes the generating. The original deck is about 60% positive and 40% negative on purpose, so both halves are here: an all-flattering list cannot tell you what to avoid. Words you and Stacy both pick are the shared target, highlighted as you go. The method's real payload is the explain-each-pick step — the note field underneath.
Now the other half of the deck — the words that would mean we missed.